healthy distraction and the art of comics (re)bagging and boarding

in

Stated yesterday that I know that the writing's not going well when I've (re)bagged and boarded a lot of comics and I've (re)bagged and boarded a lot of comics this week and while I do stand by what I said yesterday, I’ve evolved my thinking through the recognition that it's become a largely automatic – the winnowing is more or less complete – distraction to help me think things through on The Work at hand and, whereas, normally, I’d get pissed at myself for such an attention-switching (while I like and use some of what Cal Newport has to say, I don’t believe that he has as solid a grasp of the creative impulse as he seems to think he does); Rick Rubin, in THE CREATIVE ACT, is, unsurprisingly, far more on target:

The key is that you must have a problem in mind, as I certainly did – my problem being that I didn’t know what the problem was only that there was a problem, my old standby, "What am I not seeing" – and, while little writing-writing (the placing of words in order on a screen is, after all, only a part of the process) was actually done over the last couple of days of bagging and boarding, not only was the problem found but solved: I realized I had committed my cardinal sin of thinking of form first and attempting jamming the story into that.

Egregious error corrected and words flowing, somewhat, though fragmentary. A new focus on one thing only, a simultaneous all in AND lowering of the stakes: I’m not going to run out of chips; this is only being written so it can be finished and I can do the next thing and so on and so on until I’m no more. (Does lowering the stakes allow me more self-permission to let things come as they do? Perhaps.)

Side note the first: never underestimate the amount of video game and toy history you can gleam from 50+ years of comic books advertising.

Side note the second: whoever came up with the adhesive comic book bag is a both genius and a bastard: those static film adhesive coverings are all over the place, stuck to every part of The Paintshop and my person, the forget-me-nots of the collecting world.

fumes / refuel

in

Running on empty and well and truly stuck in the main things (my fault for working two things too similar to one another yet also quite different – but not different enough, apparently) so I'm making an attempt to bring back The Etudes, with specific rules sourced from other, earlier attempts at an "unsticking" exercise: 50-100 word fictions, written and published in two days (Mon/Tue or Thu/Fri)... and that's all I've got. Will probably add more specific rules to each individual piece to meet the moment of the required unsticking. Thinking of this, from Rick Rubin's THE CREATIVE ACT:

This being the theory.