ULTIMATE SPIDER-MAN, No. 1 (Hickman / Chechetto; Marvel, 2024)
At last, not only a Spidey book on the pull list, but a Hickman book. With the exception of his debut, THE NIGHTLY NEWS, I've mostly tuned out of the Hickman renaissance – including the entirety of his X-MEN run (in my defense, I wasn't really reading comics at that point); G.O.D.S. which failed, in every respect, to grab me; and ULTIMATE UNIVERSE, which followed suit (Note: probably would have been better had I read ULTIMATE INVASION; will add those issues to my list). Here, though, I get it: this is the perfect collision of writer and artist and mythology (FWIW: I couldn't care less if Peter is married or not: my objection to him not being married in the mainstream continuity is how it was accomplished, for lack of a better word) and willingness to push into new and daring and exciting areas: it's the first time the Ultimate Universe hasn't read like proto-MCU since its inception. Early mid-life crisis Spidey is something new, something intriguing. This is a special book that lives up to the hype and then some: I'm in it for the long haul – and will most definitely be giving the other upcoming Ultimate books (BLACK PANTHER / X-MEN) a try.
Not sure why it took me this long into the insulin pump / NuHerbie era to switch my running time from morning to afternoon, but I'm glad I did. Traffic as light – if not lighter (no school-busses, yay) – and no one around. Still have to work out the kinks with the insulin dosage / ratios but that's nothing different from what I've been doing for the last year in the morning anyhow. Will definitely continue – and eventually let Derbz come along.
Giving another workchunk a go, first afternoon I've had free in longer than I can remember. First cup of matcha in same. Missed both.
(Also missed using this space for more frequent life updates and random thoughtlets about anything and everything. Good to be emerging into something resembling a rhythm.)
In better humor this afternoon, much to the relief of the dogchildren and the unsuspecting populace. This semblance of making a day of my own, no matter how illusory, is wonderful.
last week's comics this week, 2023w41-42
If, as Wells says, AMAZING SPIDER-MAN No. 35 sets up the next 25 issues, I'm not intrigued. Gave the three black-costume issues (with a concept that was beyond fascinating and had deep potential and should have been far more than a filler between arcs – I mean, Slott had Doc Ock in Peter's body for how long?) a try but eh: I'm out. At least that JRJR cover was creepily fantastic / fantastically creepy
Debut issue of WESLEY DODDS: THE SANDMAN fine but ultimately forgettable: a shame, as he's one of my favorite characters. Glad I read it, but I won't be continuing; at least we'll always have SANDMAN MYSTERY THEATRE, one of the greatest series of all time (and I did appreciate the nod to the first arc in here).
Late pickup, but after three issues, I'm fully "in" on Taylor & Scott's TITANS; I rarely like team books yet I love this. And, because of my lateness in getting the third issue, I only have to wait a week until the fourth. Win win.
NIGHTS: wasn't sure at first, but intrigued me enough by the end to make me want to pick up the next issue. Feels like something special brewing here.
Debut of DESTINY GATE was a neat premise that failed to hold in execution.
While BATMAN & ROBIN No. 2 was beautiful to behold, something's not working for me. Done.
Late to the game, but I will buy anything Stan Sakai makes. SPACE USAGI: YOKAI HUNTER one shot was so good. Can’t wait for the next series (and the next issue of USAGI).
Take more of my money, Black Label: Christian Ward's BATMAN: CITY OF MADNESS, No. 1 = oh my. One of my favorite writer/artists working today.
WEB OF SPIDER-MAN, No. 103 (Kavanaugh / Saviuk; Marvel, 1993)
Every Wednesday morning, I make a blind pull from Siri's (randomized) choice of one of the 20 alphabetically-organized shortboxes that constitute my comics collection, (re-)read it, write about it, and publish whatever emerges. Earlier installments live here.
(Box19): The more I encounter '90s Marvel (though DC was guilty of it too) comics in these Wednesday blind pulls, the more I'm amused by how every character's dialogue has the same rhythm: to imagine each being read by Paul Soles (Spidey's voice in the '67 animated series) is not only not a stretch, but adds an even deeper amusement (MJ and Peter's connubial woes, for example, are brilliant in a Soles voice; little wonder writers of the time wanted to ixnay the marriage – though that doesn't mean I agree with the decision).
But: MAXIMUM CARNAGE! And it was, indeed, Maximum, even down to the length of the crossover 14 parts... which would then prove to be not MAXIMUM enough, what with two-year-long CLONE SAGA a year in the future (but I'm sure I'll get to some of those issues as I do more of these). And this issue, in particular, opened with CARNAGE WITH A BIG GUN.
MAXIMUM!
Derision of the MAXimal thereness of much of the issue aside (being part ten of 14 tends to do that), I do have to mention here that Alex Saviuk draws one hell of a Spider-Man: his action scenes (of which this is wall-to-wall) MOVE and he can capture small emotional beats that would otherwise be (and were) glossed over in the hands of lesser artists. Should be mentioned as one of the definitive Spidey artists.
But yeah, Carnage with a big gun. Probably could have led with that and saved both of us some time. MAXIMUM time.
The Collection, 2023w26
Slightly mortified that, while I amassed most of The Collection in only a few months, there's enough stuff on my overflowing shelves to be considered a lifelong collection – but, as K reminded me, I've had this space and the things populating it in my head for the better part of 30 years. Anyhow, here are a few of the treasures that I’ve added to the overflowing Paintshop shelves this week…
First up, this 1943 Dick Tracy postcard, from part of a set released by Coca Cola to soldiers and their families during WWII. I have a set of the 1942 issues, but these ‘43s are exceedingly rare. No clue what the other ‘43s look like:
Next up, this 1950 Line Mar Japanese tin Superman (in yellow garb - Mighty Mouse meets Fleischer?) wind-up toy, in which the Man of Steel lifts a tank. Not sure if it still works as I don’t have a key (adding one to the list of things to procure) but I am, nonetheless, in love with this little gem:
Continuing the Superman trend, this 1940 Saalfield puzzle, which is, when assembled, a beautiful, full-color piece of early Superman art:
Next, a mid-70s Shadow bagatelle game, from Madison, the same group behind that odd bunch of similarly-branded Shadow merchandise I wrote about a few weeks back. Been looking for this one for a long time.
And finally, a few of the (major) additions to the comics collection. The two issues of SHADOW COMICS are Volume One, issues two and three (Spring, 1940) while the two AMAZING SPIDER-MAN issues are 11 - Ditko! second Doc Ock! - and 31, the start of the seminal “Master Planner” story (need to get issue 32 to complete the story) and the first appearances of both Gwen Stacy and Harry Osborn.
A banner week, to be certain.
the collection: foci
As I seem to have shifted my collecting (re-collecting?) interests back to comics, finally starting my third era – the first being the early-mid 90s and the second being mid-late 2000s – thought it might be useful to share a few brief thoughts on why I've chosen to add what I’ve added to The Collection in this third era if only to solidify said choices for myself.
Early Silver Daredevil: easily my favorite Marvel character; I have a fascination with the yellow suit and the transition to the red and how haphazard his early issues felt: unlike other Marvel creations, there didn't feel like there was a grand design behind him and they were making it up as they went along (I know this was generally the case with the early Marvel, but it feels really pronounced with Daredevil). As I now have issues 2-7, my willpower on holding off on issue one is waning. Also have AMAZING SPIDER-MAN 16, featuring a Ditko DD in yellow suit AND Spidey - what more could I ask for?
(PS Electro would have made a fantastic full-time Daredevil villain.)
The Question: "Created by Steve Ditko" has a wonderful ring when you open up a comic. I just love the character – from Ditko's objectivist meanderings to O'Neil's left-wing eastern mystic / Kaine in KUNG FU to Rick Veitch and Tommy Lee Edwards's poetic ass-kicker (in one of my favorite representations of Metropolis ever) to the Timm-verse JLU iteration to Rucka's genius transformation of Montoya into the second Question: the character is one of the most elastic – a blank face and a suit tend to lend themselves as such – ever created; that he seems to be languishing again is more than slightly heartbreaking.
Early Silver Marvel in general: this was prevalent during my first era of collecting, largely guided by cheap back issues of early MARVEL TALES. In this present iteration, I've amassed a pretty solid collection of Lee/Ditko Spideys and the aforementioned Daredevil, but I'm also grabbing up important issues in the development of the Marvel Universe: the first Cap story in TALES OF SUSPENSE No 59; the first issue of the Hulk's own ongoing series, No. 102 (having spun out of TALES TO ASTONISH); STRANGE TALES ANNUAL No. 2, just because it includes a weird Kirby Spidey tale (I have a thing for Kirby drawing Spidey). Speaking of:
Kirby's Fourth World: have the omnibus, love the insanity behind all of it. NEW GODS, MISTER MIRACLE, and FOREVER PEOPLE first issues are in my possession as is Kirby's first DC work, SUPERMAN'S PAL JIMMY OLSEN 133. Not an active pursuit, but I'll always pick them up should the opportunity arise.
Complete runs of CRISIS ON INFINITE EARTHS (historical import and Perez art); BATMAN: YEAR ONE (Mazzuchelli Bats); Andreyko's MANHUNTER (several holes in my collection of one of DC's best series ever – which would be a perfect candidate for Max series adaptation: it screams for a merging of GOLIATH and PEACEMAKER, maybe a bit of ELI STONE thrown in); Bendis / Brubaker DAREDEVIL runs - had them all, lost them all in one of the moves; the Moench / Jones BATMAN run (still my favorite run in the whole of the character); I also need to get my hands on ALL-STAR SUPERMAN 12, as I have the first 11 issues then moved and all of it went to hell in the proverbial handbasket.
Outside of comics-comics: 1939-41 Superman merchandise – the early Siegel and Shuster iteration and the Fleischer cartoon version remain my favorite incarnation of Supes, the cornerstone of my collection being my 1939 Ideal composition doll as well as a first edition 1942 Lowther/Shuster ADVENTURES OF SUPERMAN book and a 1940 Valentine’s Card featuring Superman about to punch a puppy because apparently that was a prerequisite for pre-war romance, IDK.
All foci above are, of course, in concert with the forever interests of The Shadow (I even have a complete run of the eight-issue Archie series coming because, in my passion for historical completion, I'm nothing if not a glutton for punishment) and Dick Tracy, though both tend to be more towards toys, radio premiums, and Big Little Books, but I still snap up comics whenever I see them.
Do I have any idea what I'll do with all of this? Not in the slightest: I did, after all, run a half-marathon distance with no desire to run an actual half-marathon (with numbers and people and such) and now seem to have opened my own comic shop / museum with no customers or intention to sell anything so who knows.