SILVERVIEW

Finished the final John le Carré novel written by David this morning, first written by Nick buried, somewhere, on the to-read stack. While it read as a coda to a 60+-year career and never reached the heights of his greatest – THE SPY WHO CAME IN FROM THE COLD, TINKER, TAILOR, SOLDIER, SPY, and THE CONSTANT GARDENER – it wasn't lacking in the character-driven pleasure of even the most middling le Carré efforts and was an enjoyable interlude between longer reads.

That said, one passage in particular packed a punch, a goodbye – not just from a character, but from a literary voice to his reader (or to his son, carrying on his tradition?):

THE CONSTANT GARDENER (John Le Carré, 2000)

While THE SPY THAT CAME IN FROM THE COLD remains my favorite Le Carré, this is a close second (though the protagonist here, Justin Quayle, may be my favorite; yes, even more than the ubiquitous George Smiley). At turns thrilling, maddening, and poignant – the Le Carré trademark – GARDENER is also possessed of a deep wellspring of humanity throughout, of identity and understanding found through shared purpose (and the regret that it came too late). Haven't seen Fernando Meirelles's film adaptation since it came out, but might have to revisit at some point. Recommended.

P.S. very excited for Errol Morris's upcoming Le Carré documentary, THE PIGEON TUNNEL.