KARLA'S CHOICE

in

Had to give up on Nick Harkaway's debut under his dad's John Le Carré name, KARLA'S CHOICE. Liked what I read of it (and I adore Harkaway's work, GNOMON especially; his turning of phrase and rhythm is spectacular) and Harkaway made an honest go of it, but it lacked the authenticity of his dad's work. Not in the spycraft sort of way, but in the human voice behind it. Felt too much like reading a really good novelization of a really good film adapt of a Le Carré classic: I'd rather read the original. Had a similar feeling watching Mangold's INDIANA JONES flick: the characters are there but the absence of the heart behind is acutely felt. Time to let Le Carré rest. Solid go, but no.

"Smiley is woven into my life…"

in
‘Smiley is woven into my life,” said Harkaway. “Tinker Tailor was written in the two years after I was born and I grew up with the evolution of the Circus, so this is a deeply personal journey for me, and of course it’s a journey which has to feel right to the le Carré audience. It also seems as if we need the Smiley stories back now because they ask us the questions of the moment: what compassion do we owe to one another as human beings, and at what point does that compassion become more important than nation, law or duty?”

Love Nick Harkaway's work, GNOMON especially. Can't wait to see what he does with his dad's toybox.